Archive for » July, 2009 «

Friday, July 24th, 2009 | Author: Judy Darley
© Gavin Spencer

© Gavin Spencer

Between swine flu and the recession, it’s nice to have something positive in the news, and Antony Gormley’s plinth is doing a grand job.

When I first heard about the idea I was a bit bemused. Antony Gormley is one of the UK’s most exciting sculptors, best known for his immense Angel of the North, so when I heard he’d been commissioned to fill Trafalgar Square’s strangely empty fourth plinth, I was filled with anticipation.

Then he revealed that what he would be doing was allowing 2,400 people an hour each to do whatever they chose on the plinth in the guise of being part of a living sculpture.

To be honest, at first it seemed like a bit of a cop-out, but now it’s actually happening I’ve been completely converted to the idea.

It’s a chance for any one of us to get up there, with a lottery system choosing registered hopefuls at random. Once in place you can do whatever you choose, and the performances, viewed by those in the square and those watching it on the internet and TV at home, have been incredibly varied.

One person held up a sign asking “But is it art”, a deluge of poets have been reading out their work. A writer I know will be up there on Monday reading out important words chosen by anyone who responded to his calls for submission.

It’s a fascinating blend of the intriguing, the pretentious and the banal, but it’s all rather magical. Celebs are no more likely to be chosen than unknowns, lecturers no more than labourers. It’s a completely level playing field, where everyone has a chance to stand in front of the world’s media, look down on the lions and say their piece.

But it also feels like a huge responsibility. What would you do with an hour’s worth of that kind of attention? What plight would you draw attention to? What brave idea would you voice? What beautiful lines of poetry or prose would you bring forth? An hour is a long time in the spotlight if you’re not used to it, and that hour will live on forever online, so you’d want to get it right.

No pressure then.

Saturday, July 18th, 2009 | Author: Judy Darley

© Zsolt Zátrok

© Zsolt Zátrok

There are some holidays that you always remember – childhood defining trips of idyllic sun-strewn days. Mine took place when I was six years old and my parents took my older sister and me to France for the first time.

We were staying in an old stone gîte on a farm in the Dordogne, and oh my god, the living was good. It was so warm that we ate breakfast outside each day, and every morning Dad burnt the croissants that he was supposed to be toasting beneath the grill. We ate them anyway, layered with unsalted butter and thick, sticky apricot jam, while my parents drank gallons of coffee.

Lizards crept out of crevices in the wall beyond the picnic table, tempted out to lie in the dappled sunlight. I’d never seen such beautiful creatures before. I thought they might be tiny dragons, yet to grow their bat-like wings – perhaps they needed the heat to stoke their inner flames. One day I surprised myself by reaching out quickly enough to catch one by the tail, and was so shocked that I instantly let it go. It disappeared into a crack between the stones, but I could still feel the sensation of its tail between my finger and thumb, silky and cold.

As soon as we were released from the breakfast ritual, my sister and I escaped to play colourful games inspired by books and TV shows. We had so many adventures to re-enact. I vividly remember my imaginary friend falling down the well and having to be rescued. It was a time when fantasy and reality merged – more often than not I wasn’t really sure which was which.

We’d return each day to find tiny kittens roaming across our kitchen tiles, mewling for milk and pestering the ancient farm dogs for attention. There were ducks, goats and chickens too, beautiful ones with russet-coloured gleaming feathers.

One day the grizzled old farmer grimaced at me with what may have been intended as a kindly smile, and handed me an egg; a glorious curved thing still warm from the chicken’s bum, and so large I needed both hands to hold it. Feeling honoured, I began to carry it carefully back across the cobbled yard to the gîte, but as my shadow fell across the billy goat he decided to chase me. He was an immense creature with glowing eyes and flowing locks like the Vikings in one of my stories. No troll would have dared emerge from beneath a bridge to eat him.

As I fled for my life the egg fell from my hands and hit the ground in an explosion of starry shattered shell and bright yellow yoke. I cried bitterly – to me that egg had been as magical as the golden one laid by a goose in my book of fairy tales.

We visited a market where stalls sold decorative arrays of glossy fruit and doughnuts stuffed with every flavour of jam imaginable. I decided to stick to the traditional raspberry – this holiday was crammed with enough new experiences already. Alongside the stalls of fat, oozing cheeses and mottled sausages there were incongruous displays of exotic lingerie trailing lace and feathers. I was fascinated to find that even on a toy stall there was an array of tiny racy garments, and I used my pocket money to buy a pair of pink satin knickers for my Sindy doll – a purchase that made Mum raise her eyebrows.

After nightfall we drove to a chateau hidden deep down a rural lane, surrounded by a moat and illuminated with huge lamps that coloured everything golden. We laid out a rug on the grass beside the water, surrounded by French families awaiting the beginning of the performance. As the singing began, it echoed around us, and Mum whispered translations to me as the story unfolded. I watched with awe at the couple fleeing from the castle, rowing away across the moat in a tiny boat. It was a moment of magic. But on the way back to the farm, a bright green frog leapt in front of our headlamps, and when Mum asked what I’d liked best about the evening I said the frog, and she shook her head in exasperation

When the time came for us to leave, we set off for the ferry – another adventure. We had a cabin to sleep in and two narrow bunk beds. As the waves picked up outside, the huge boat began to buck and I slid up and down my bunk, grinning with glee.

I pored over my book of fairytales, whispering the words to myself and gazing at the images of princesses and trolls, dragons and fairies that had fuelled so many wonderful moments in the Dordogne. Then I went to sleep with the book’s hard rectangle under my pillow. The next day in the rush to leave, the book got left behind, lost at sea, never to be seen again.

Wednesday, July 15th, 2009 | Author: Judy Darley
© www.sxc.hu

Anna © www.sxc.hu

At the end of last year and the beginning of this one, my novel Anna Speaks attracted the interest of one of the UK’s most prestigious literary agents. They made lots of suggestions that I took on board, making a few changes here and there to strengthen the novel’s good parts and solves problems with some of the weaker areas.

I was so pleased to have this interaction, and the revised novel came through the process more streamlined, more powerful and generally shinier than when I submitted it.

But somewhere along the line, the agency lost interest and decided the book wasn’t for then. An acquaintance of mine kindly submitted the synopsis to her agent early in 2009, and he professed an interest, but then went quiet. I nudged him in March, but he said he hadn’t made a decision yet, and was busy with the London Book Fair. Fair enough, but it’s now July and I still haven’t heard from him.

So, a few weeks ago I decided to take the next step and submit my manuscript to Macmillan New Writing, an imprint whose sole purpose is to publish work by previously undiscovered authors. Such as me.

The scheme does have its controversies. For one thing, you get no advance, and Macmillan owns all kinds of rights to your work that other publishers don’t expect. For example, I think that they own half your foreign rights, so they will get half the proceeds should your novel be published overseas. They also get half the proceeds should your novel be turned into a film.

That actually doesn’t bother me, as it would mean me getting half of something I probably wouldn’t have achieved a quarter of by myself.

My main concern is about the eligibility of Anna Speaks. Although I wrote it for adults, much of the focus is on a rather troubled fourteen-year-old girl. I think of it as an adult novel with some appeal for teen readers. The submission guidelines from Macmillan New Writing specifically mentions that they don’t accept books written for young adults, so unless they can see past the age of my protagonist, I guess I won’t be hearing them.

Which will simply mean I have to find the next agent, next publisher, next potential outlet for my novel. If there’s one thing I’ve learnt from all this, it’s that writers need tenacity as much as if not more than they need talent.

Friday, July 10th, 2009 | Author: Judy Darley
© Emily Lucima

© Emily Lucima

A friend of mine who had a baby almost nine months ago said to me recently that babies are tiny scientists - everything they encounter needs to be investigated by whatever means possible: they reach for the sharp shiny knife because that’s the object they’re usually kept away from - they go to touch the flame because they want to know what it is, and more importantly, what it’s for.

As writers I believe we never quite grow out of that stage. Okay, so it’s safe to leave us in a room with sharp objects and other potential hazards, but our endless curiosity is what keeps us investigating, examining, eavesdropping on the world. The only thing that’s really changed is the question, from what to why.

As we seek fuel for our writing, we’re searching for answers to the questions that we hang our writing on. Many agents and publishers say that the themes of a book are a crucial ingredient - these themes are in fact the questions, ideas, theories and curiosities that drive us to write.

Every book is a writer’s equivalent of a scientific investigation - as we research human relationships, the motivations that drive us to commit acts of benevolence or horror, the difference between each and every one of us…

And journalism does this in a far more straightforward way, as assignments demand that we become experts on all kinds of things, if only fleetingly. This week, for example, I’ve been writing about cross stitch, knitting trends, 18th century piracy, and nuclear waste disposal - none of which I have first-hand experience of. It’s amazing how knowledgeable you can seem with a suitably authoritative tone!

I suppose in a way writing is a form of acting, as we take on the characters that we write into our novels and assume the persona of the person best equipped to write a feature on a particular topic. It’s something we all do as children, trying on different personalities along with our mother’s high-heeled shoes, our father’s gigantic jackets.

We writers just never quite stop doing it, even if we don’t always put on the costumes to help us along in our endless quest for new information, for the discovery that glimmers always just out of reach.

Saturday, July 04th, 2009 | Author: Judy Darley
Poot, Frome

Poot, Frome

I’ve just returned from a lovely morning being a writer in residence for the Frome Festival. The organisers paired the writers up with shops and cafés in the town centre and we were each given a topic or an opening line, and allowed until 2.30 pm to hand our completed work into Frome Library.

It was a great writing exercise. Aside from my journalistic deadlines, I rarely have a strict timeframe to write in, and I was amazed by how this focused my mind - that and being far from all internet-based distractions!

It didn’t hurt that I was assigned to be the writer in residence for a rather fabulous vintage clothes shop called Poot. Yvonne, whose daughter runs the shops, set me up on in a corner surrounded by jewels, dresses, and other wonderful fripperies. I could have written a thousand short stories inspired by those things, the people who’d owned them in the past, and the people who would come to own them in future.

Thanks to my experience of working as a journalist I write pretty fast and got a short story down that I’m happy with. My main concern is that my handwriting veers from squiggly to unreadable, so I slaved over each letter as hard as any child learning to write at school.

That done, I wanted to write a small poem to encapsulate the wonders of Poot, and gave the finished result to Yvonne as a thank you. I think she liked it. At least she’s asked me to come back for the next Frome Festival Writers in Residence event.

I’ll share it here.

Poot, Frome

Vintage clothes, costume jewellery, glittering clutch bags,

Butterfly brooches pinned to a board,

Green glass bangles that chime as you walk.

Mirrors with scalloped edges reveal a different you,

Transformed by a 1950s floral print dress;

Flared skirt, scooped neck.

Stacked leather cases speak of voyages past,

Wooden toys hint at earlier early years,

Nostalgia drips from crystal chandeliers.

Ornaments from living rooms long gone,

Velvet hats, silken scarves, china tea sets,

We come here to reclaim the things Time forgets.